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Mysore Palace Mysore

History
The Kingdom of Mysore was ruled by the Wodeyar dynasty from 1399 until the independence of India in 1947 and the subsequent dissolution of monarchy by the Indian constitution. The Wodeyar kings built a palace in Mysore in the 14th century, but this palace was partially damaged by a lightning strike in 1638. It was repaired and expanded, but fell into neglect by the late 18th century. It was demolished in 1793, and a new palace was built in its place in 1803. This palace was destroyed in a fire in 1897 during the wedding of Princess Jayalakshmanni.

The regent of Mysore at the time, Queen Kempananjammanni Vanivilasa Sanndihana, commissioned a British architect, Henry Irwin, to build yet another palace in its place. The architect was directed to combine different styles of architecture in the construction of the palace. The construction was completed in 1912. Apparently, the palace cost Rs. 42,00,000 to build. It is one of the richest palace in the world.

Architecture
The architectural style of the palace is commonly described as Indo-Saracenic, and blends together Hindu, Muslim, Rajput, and Gothic styles of architecture. It is a three-storied stone structure, with marble domes and a 145 ft five-storied tower. The palace is surrounded by a large garden. The three storied stone building of fine gray granite with deep pink marble domes was designed by Henry Irwin. The facade has seven expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars.

Above the central arch is an impressive sculpture of Gajalakshmi, the goddess of wealthprosperity, good luck, and abundance with her elephants.

Special events
Every autumn, the Palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and other floats originate from the palace grounds.

Dasara is the most extravagant festival of Mysore. The Dasara festival is celebrated in the months of September and October of each year.

The festival celebrates and commemorates the victory of the great goddess Durga, after she slew the demon, Mahishasura, and thereby, symbolizing the triumph of good over evil according to Hindu mythology. Some call her Chamundeshwari.

This festival has been celebrated in Mysore with great pomp for many centuries and the tradition still is carried on although the scale of the celebrations has diminished. The Dasara festivities have become an integral part of the culture and life in Mysore.

To celebrate this festival the Palace of Mysore is illuminated with more than 10,000 lights during that two month period.

  • Ambavilasa or Diwan e Khas.

This was used by the king for private audience and is one of the most spectacular rooms. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine to Ganesha. The central knave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones.

The main gate of the palace
  • Gombe Thotti (Doll’s Pavilion)

Entry to the palace is through the Gombe Thotti or the Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects like a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

The south gate at dusk
  • Kalyana Mantapa

The Kalyana Mantapa or marriage hall is a grand octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland. The floor of the Mantapa continues the peacock theme with a peacock mosaic, designed with tiles from England. Oil paintings, illustrating the royal procession and Dasara celebrations of bygone years, make the walls more splendid

 


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